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Who's Afraid of Aunt Jemima? is a quilt work made with acrylic paint and consists of 56 square panels, bordered by patterned fabric. [1] 28 panels contain paintings of people, 18 panels contain designs of patterned fabric, and 10 panels contain text, including the center panel which contains the title of the work.
The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
The quilt had been stitched both by hand and by machine, and contained a border, as well as designs and intersecting lines outlining the panels. Each of the eleven panels of the quilt displayed a scene from the Bible, hence the name of the quilt. One panel contained a depiction of Adam and Eve in the Garden of Eden. The second, Eve and one of ...
Palampore patterns were usually very complex and elaborate, depicting a wide variety of plants, flowers, and animals, including peacocks, elephants, and horses. Because a palampore was hand-created, each design is unique, but many featured a central flowering tree with a mound at the base where there may be animals.
The quilt blocks are repeated, or sometimes alternated with plain blocks, to form the overall design of a quilt. Barbara Brackman has documented over 4000 different quilt block patterns from the early 1830s to the 1970s in the Encyclopedia Of Pieced Quilt Patterns. [33] Some of the simpler designs for quilt blocks include the Nine-Patch, Shoo ...
Echo quilting, where a quilted outline of the appliqué pattern is repeated like ripples out to the edge of the quilt, is the most common quilting pattern employed on Hawaiian-style quilts. Beautiful examples are held in the collection of the Bernice Pauahi Bishop Museum , Honolulu, Hawaii.
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His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...