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Sketches by "Boz," Illustrative of Every-day Life and Every-day People (commonly known as Sketches by Boz) is a collection of short pieces the English author Charles Dickens originally published in various newspapers and other periodicals between 1833 and 1836.
Aubrey Beardsley, The Peacock Skirt, 1893. The Peacock Skirt is an 1893 illustration by Aubrey Beardsley. His original pen and ink drawing was first reproduced as a wood engraving in the first English edition of Oscar Wilde's one-act play Salome in 1894. In later editions it was photo-mechanically reproduced as a lineblock for printing.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium. [5] Sketches can be made in any drawing medium.
Sketches for the Drawing of an Auction House: May 1885 Kröller-Müller Museum, Otterlo Nuenen F 1112r JH 768 Sale of Building Scrap: May 1885 Van Gogh Museum, Amsterdam Nuenen F 1231r JH 769 Sale of Building Scrap: May 1885 Van Gogh Museum, Amsterdam Nuenen F 1231v JH 771 Sketches of a Man with a Ladder, Other Figures, and a Cemetery: May 1885
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.
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