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"Hijo de la Luna" (English: "Son of the Moon") is a song written by José María Cano performed originally by the Spanish band Mecano with lead singer Ana Torroja. It appeared on their 1986 album, Entre el cielo y el suelo , and had great success all over the Spanish-speaking world, as did the album.
The film was produced by MOD Producciones, La Loma Blanca PC, and La Hija Producciones La Película AIE, with the participation of RTVE, Canal Sur Radio y Televisión and Movistar+, funding from the ICAA and Arcano Financiación Audiovisual, support from A.A.II.CC. and the sponsoring of the Diputación Provincial de Jaén . [4]
La Hija Del Jardinero was the first soap opera or telenovela that featured actress Mariana Ochoa. Ochoa played the main role, Luisa Fernanda, a talented and beautiful girl from a family that hides a secret. She fell in love with the character Carlos Eduardo, a smart doctor, who has a girlfriend named Jennifer de la Vega.
Lo que callamos las mujeres (English: What We Women Keep Silent), is a Mexican anthology television series which deals with the social problems of Mexican society. The show started airing on the Mexican television network Azteca 13 as a way to compete with Canal de las Estrellas' Mujer, casos de la vida real. It started airing on the network in ...
La hija del mariachi (English: The daughter of the mariachi) is a Colombian telenovela produced by RCN TV and written by Mónica Aguledo. It debuted in 2006. [1]
Unica Hija (transl. only daughter) is a Philippine television drama science fiction series broadcast by GMA Network. Directed by Mark Sicat dela Cruz, it stars Kate Valdez in the title role. It premiered on November 7, 2022 on the network's Afternoon Prime line up. The series concluded on March 3, 2023 with a total of 85 episodes.
Daughter of Deceit (Spanish: La hija del engaño) is a 1951 Mexican film directed by Luis Buñuel, written by Luis and Janet Alcoriza and starring Fernando Soler, Alicia Caro and Fernando Soto. [1] It is based on the farce Don Quintín, el amargao by Carlos Arniches and Antonio Estremera.
La hija de Moctezuma received good reviews from critics. Lucero Calderón of Excélsior wrote: "I can only say that if [Mexican] viewers sometimes see scary movies made in Hollywood, why can't they give an opportunity to a well-made film that appeals to the nostalgia of popular cinema and that was done through the efforts and sacrifice of many people."