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Paula Malcomson (born 1 June 1970) [2] is a Northern Irish actress. She is sometimes credited as Paula Williams. [ 1 ] She is known for playing Trixie in Deadwood (2004–2006), Maureen Ashby in Sons of Anarchy (2010), and Abby Donovan in Ray Donovan (2013–2017).
Redemption has received positive reviews from critics, particularly for Paula Malcomson's portrayal of DI Colette Cunningham. The What's on TV and radio tonight column in The Times described Malcomson as "excellent in the lead role", and that the show itself "settles into something smarter and more brooding." [5]
On June 23, 2022, it was announced that Paula Malcomson had joined the cast as Ros. [6] In July, it was announced that Arica Himmel, Ivan Mbakop, Zackary Momo and Dax Rey had joined the cast as Michaela, Zenzo, the Horse and Luke, respectively.
Marsan was born on 9 June 1968 [1] in the Stepney district of London to a working-class family; his father was a lorry driver and his mother was a school dinner lady and teacher's assistant.
Deadwood is an American Western television series that aired on the premium cable network HBO from March 21, 2004, to August 27, 2006. The series is set in the 1870s in Deadwood, South Dakota, before and after the area's annexation by the Dakota Territory, and charts Deadwood's growth from camp to town.
Battlecreek is a 2017 American romantic drama film starring Bill Skarsgård, Paula Malcomson and Claire van der Boom, and directed by Alison Eastwood. It is about a young man with a rare skin disease that forces him to avoid sunlight. He meets a young woman after her car breaks down, which leads him to change his life.
Caprica is a 2010 American science fiction drama television series, which is a prequel spin-off of the 2004–2009 series Battlestar Galactica. Caprica is set 58 years before the main series, and shows how humanity first created the Cylon androids who would later turn against their human masters.
On Rotten Tomatoes, All Summers End has an approval rating of 20% based on five reviews (one positive review and four negative), with an average rating of 3.50/10. [5] In a positive review, Stephen Farber of The Hollywood Reporter wrote, "the resolution seems honest and mature, and a brief epilogue is so powerful that it makes us forget some of the film's earlier lapses.