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Pages in category "Songs written by Barry Gibb" The following 200 pages are in this category, out of approximately 207 total. This list may not reflect recent changes .
It should only contain pages that are Barry Gibb songs or lists of Barry Gibb songs, as well as subcategories containing those things (themselves set categories). Topics about Barry Gibb songs in general should be placed in relevant topic categories .
Announcement of the birth of Barry Gibb (Isle of Man Examiner, Friday September 6, 1946) 50 St Catherine's Drive, Douglas, Isle of Man, childhood home of the Bee GeesBarry Alan Crompton Gibb was born at Jane Crookall Maternity Home in Douglas, Isle of Man, on 1 September 1946, to Hugh Gibb (15 January 1916 – 6 March 1992), a drummer, and Barbara Gibb (née Pass; 17 November 1920 – 12 ...
Recorded on 25 September 1969, IBC Studios; Later recorded by Barry Gibb in 1970. [3] "Twinky" Barry and Maurice Gibb: Unknown: Recorded around October 1969, IBC Studios. [3] "End of My Song" Barry, Robin and Maurice Gibb: 3:31: Recorded on 15 October 1969, Recorded Sound Studios. Originally written in 1967 for Otis Redding to sing. [3] "Julia ...
Pages in category "Song recordings produced by Barry Gibb" The following 106 pages are in this category, out of 106 total. This list may not reflect recent changes .
Barry, Robin, and Maurice Gibb are credited as co-writers of "Run to Me". [1] Later, Robin Gibb recalled, "We recorded 'Run to Me' and Andy Williams cut it on his LP. If Andy Williams came up to us and said write a song and we wrote 'Run to Me' for him, he probably wouldn't have recorded it. But we recorded it and then he recorded it." [2]
Barry Gibb, Robin Gibb and Maurice Gibb wrote this track with "Tragedy" in an afternoon off from the making the Sgt. Pepper's Lonely Hearts Club Band movie; that same evening, the Gibbs wrote "Shadow Dancing" for Andy Gibb (but that song was later credited to all four Gibbs) [5]
Maurice Gibb had a piano to play and electronics he was allowed to try out, Robin Gibb learned to double-track his voice, and Barry had precious time to work with his group to make recordings as good as those by the other performers who had recorded so many of his songs. The one-track tape machines required the used of sound-on-sound for all ...