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The ninth chord could be alternatively notated as seventh added second chord (C 7add2), from where omitting the 3rd produces the seventh suspended second chord (C 7sus2). An add9 chord, or added ninth chord, is any chord with an added ninth – C add9 consists of C, E, G and D, Cm add9 consists of C, E flat, G, and D, Cdim add9 consists of C, E ...
The added-fourth chord (notated "add4") almost always occurs on the fifth scale degree where the added note is the key's tonic note. Examples in popular music include the second chord in the verse of "Runaway Train" and the introduction of The Who's "Baba O'Riley". [2]
English: A chord chart for beginner ukulele players that demonstrates the correct fingerings to play the 36 basic chords. Whereas most chord charts display the fretboard vertically to save space, here the fretboard is intentionally horizontal (as how a ukulele is held) to make it easier for beginners (the target audience of this chart) to use.
A chord is a line drawn between two points on the circumference of a circle. Look at the centre point of this line. For a circle of radius r, each half will be so the chord will be . The line of chords scale represents each of these values linearly on a scale running from 0 to 60.
The instrumentalist improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and blues soloing, the pentatonic scale built on the root note is widely used to solo over straightforward chord progressions that use I, IV, and V chords (in the key of C ...
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]