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The library is named after the Museum of Costume Art's co-founder Irene Lewisohn. In 1960, as a part of a major renovation of The Costume Institute, the library was named in her honor. [2] By 1983, it was reported that the library was used by the staff and more than 1800 researches each year. [4]
A small sample, usually taken from existing fabric, is called a swatch, whilst a larger sample, made as a trial to test print production methods, is called a strike off. For plain-dyed fabrics it is called a lab-dip , and for yarn-dyed fabrics (like stripes and checks), it is called a handloom .
Up Tied's use of what was described as an "ancient Oriental art" of dying textiles fitted in with this theme. [7] [1] For the Coty fashion show, Up Tied's section was modelled by six dancers choreographed by Murray Louis. [1] Along with Halston, the fashion designers Donald Brooks and Gayle Kirkpatrick also used Up Tied fabrics. [1]
Among the Kuba it is the men who do the weaving, and the women do the embroidery and applique' work to their textiles. An embroidered raffia cloth from the collection of the Brooklyn Museum Kuba textiles are a type of raffia cloth unique to the Democratic Republic of the Congo , formerly Zaire , and noted for their elaboration and complexity of ...
Conran is credited with popularising devoré, introducing it in 1989 and taking the technique forward in the 1990s in his main fashion line. [4] He refined his techniques on theatrical costumes; in the 1992 production of My Fair Lady directed by Simon Callow, burnout fabrics were heavily used for the costumes of Eliza Doolittle and street vendors. [4]
Susan established a broad repertoire of fabric art skills over four decades. Largely self-taught, Susan created a unique stencilling too which she called her cloud technique. In theory, it is a simple technique, used to cover up printing errors, but the subtlety of the outcome underlines the mastery, as neither the clouds or the errors stand ...
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