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The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. [1] Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. [2]
Building restoration describes a particular treatment approach and philosophy within the field of architectural conservation and historic preservation. It emphasizes the preservation of structures such as historic sites, houses, monuments, and other significant properties through careful maintenance and upkeep.
Temple of Athena Nike. The conservation and restoration of archaeological sites is the collaborative effort between archaeologists, conservators, and visitors to preserve an archaeological site, and if deemed appropriate, to restore it to its previous state.
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
These organizations exist to "support the conservation professionals who preserve our cultural heritage". [1] This involves upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public.
Conservation and restoration of Pompeian frescoes; Conservation and restoration at the Smithsonian Institution; Conservation and restoration of ancient Greek pottery; Conservation and restoration of archaeological sites; Conservation and restoration of bone, horn, and antler objects; Conservation and restoration of books, manuscripts, documents ...
The conservation and restoration of outdoor artworks is the activity dedicated to the preservation and protection of artworks that are exhibited or permanently installed outside. These works may be made of wood , stone , ceramic material , plastic , bronze , copper , or any other number of materials and may or may not be painted.
1940, Manual on the Conservation of Paintings (from the 1930 Rome Conference) published in French in 1939 and in English in 1940. Compiled by 12 international experts: five art historians, five restorers, and two chemists. 1943, Conservation training program at the Istituto Centrale in Rome [7]