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Soul flight is a technique of ecstasy used by shamans with the aim of entering into a state of trance.During such ecstatic trance it is believed that the shaman's soul has left the body and the corporeal world (compare out-of-body experience) which allows him or her to enter a spiritual world and interact with its denizens.
A myth, then, according to Sansonese is a veiled, culturally conditioned description of a trance-inducing technique and resulting proprioceptions. Myths, therefore, on this view are (very) early attempts at articulating what, in 1945, Aldous Huxley called perennial philosophy , and are simultaneously mystical and practical in their origins.
The role of music in Korean shamanism seems intermediary between the possession trance model and the Siberian model: in the Kut ritual, the music, played by musicians, first calls on the god to possess the mudang (shaman), then accompanies the god during their time in the shaman's body, then sends back and placates the god at the end. [26]
Shamanism is a spiritual practice that involves a practitioner (shaman) interacting with the spirit world through altered states of consciousness, such as trance. [ 3 ] [ 4 ] The goal of this is usually to direct spirits or spiritual energies into the physical world for the purpose of healing, divination , or to aid human beings in some other way.
Trance is a state of semi-consciousness in which a person is not self-aware and is either altogether unresponsive to external stimuli (but nevertheless capable of pursuing and realizing an aim) or is selectively responsive in following the directions of the person (if any) who has induced the trance. Trance states may occur involuntarily and ...
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.
The two types can be understood as two phases of kagura: mai is a preparation process for trance and odori is the unconscious trance stage. During mai , the female shaman, surrounded by a group of priests, holds a gohei (a ceremonial wand used to cleanse or purify) as well as sound-producing instruments and engages with circling movement to ...
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".