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The Shami statue is one of the main surviving works of Parthian art. It is currently in the National Museum of Iran (Inv. no. 2401) and was found at Shami (modern Khūzestān Province), where there was an ancient sanctuary. The bronze statue is 1.94 m high. The man depicted is shown frontally.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
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There are doubts whether this art can be called a "Parthian" art or that it should be associated with any particular regional area; there is no evidence that this art was created outside the middle-Euphrates region then brought to Palmyra for example. [5]
The pentacle or pentagram has a long history as a symbol used in alchemy and western occultism; it was adopted as a symbol in Wicca in c. the 1960s. There was a campaign to recognize it as a symbol representing Wicca as a religion on US veteran headstones since the late 1990s, and the symbol was recognized for use on such headstones in 2007. [19]
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...
Levantine Arabic, also called Shami (autonym: شامي, šāmi or اللهجة الشامية, el-lahje š-šāmiyye), is an Arabic variety spoken in the Levant, namely in Syria, Jordan, Lebanon, Palestine, Israel and southern Turkey (historically only in Adana, Mersin and Hatay provinces).
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [ 10 ] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."