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Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Circle Limit III is a woodcut made in 1959 by Dutch artist M. C. Escher, in which "strings of fish shoot up like rockets from infinitely far away" and then "fall back again whence they came". [1] It is one of a series of four woodcuts by Escher depicting ideas from hyperbolic geometry. Dutch physicist and mathematician Bruno Ernst called it ...
Woodcut, a type of relief print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, and by the 5th century was used in China for printing text and images on paper. [1] Woodcuts of images on paper developed around 1400 in Europe, and slightly later in Japan. [2]
A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on bookshelves, or other furniture infested with these beetles, also became infested themselves. [5]
In woodcut and other forms of relief printing, a reduction print is a multicolour print in which the separate colours are printed from the same block at different stages.. Usually, the lightest colour of the design is printed first, then the block is "reduced" by carving to the areas which the artist wants to print the second colour from, and so for
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