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The tenor guitar or four-string guitar is a slightly smaller, four-string relative of the steel-string acoustic guitar or electric guitar.The instrument was initially developed in its acoustic form by Gibson and C.F. Martin so that players of the four-string tenor banjo could double on guitar.
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Songs from the Chinese, Op. 58, for soprano or tenor and guitar, Op. 58 (translations by Arthur Waley; 1957) Sechs Hölderlin-Fragmente, Op. 61, for tenor and piano (1958) Songs and Proverbs of William Blake, Op. 74, for baritone and piano (1965) The Poet's Echo, Op. 76, for soprano or tenor and piano (words by Alexander Pushkin; 1965)
Bergonzi is also a professional level pianist and bass guitarist.. He plays a mouthpiece by Aaron Drake (Drake "Jerry Bergonzi" Signature Mouthpiece). Jeff Ellwood compiled and engraved nearly 200 of Bergonzi's original tunes. [8]
Tenor saxophonist Ben Webster's performance on the tune was so highly regarded by audiences that his successors in the band were asked how they dare sit on Webster's seat. [6] Webster later recorded the tune with young Sarah Vaughan in 1946. [7] "Cotton Tail" [8] [9] is a swing jazz composition by Duke Ellington, with lyrics later added by Jon ...
His experience playing the tenor banjo led him to create the "Eddie Freeman Special 4-String Guitar" for the Selmer Music Company, and towards the end of his career, he made accurate transcriptions of the music of famous flamenco guitarists, taught flamenco guitar,.and designed and constructed his own flamenco and classical guitars.
Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by musicologists in the 1970s and 1980s. [citation needed] Contrafacts by notable jazz artists include: