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King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [2] As is common in his compositions, Karl King made the baritone part a major voice in the march. [3] King was asked by the bandmaster of the Barnum and Bailey Circus Ned Brill to write a march for the circus. [4]
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end. However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice. [1]
Faure possessed a dark, smooth yet flexible baritone voice, which he used with impeccable skill and taste. [citation needed] He was a sophisticated interpretive artist, too, and all these accomplishments combined to make him one of the most significant figures to have appeared on the French musical stage during the 19th century.
Among Risher's favorite forms for such works are the ground bass and chaconne. His music has been released on the Index, PhonoStatic, and Discus record labels and his scores are published by Wehr's Music House. Risher lived in Hamburg, Germany between the years of 1995 and 2005, and now lives in North Carolina.
The baritone normally sings just below the lead singer, sometimes just above as the harmony requires. Barbershop music is typified by close harmony— the upper three voices generally remain within one octave of each other. While the traditional barbershop quartet included only male singers, contemporary quartets can include any gender combination.
The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. [2] It is a piston-valve brass instrument with a bore that is mostly conical , like the smaller and higher pitched flugelhorn and tenor horn , but it has a narrower bore compared to the similarly pitched euphonium .