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No. Title Writer(s) Length; 1. "Shimanchu nu Takara" (島人ぬ宝)Begin: 5:20: 2. "Nami" (波, "Wave")Donto: 5:04: 3. "Soredemo Kurashi wa Tsuzuku kara, Subete o, Ima, Wasureteshimau Tame ni wa, Subete o, Ima, Shitteiru Koto ga Jōken de, Boku ni wa Totemo Muri dakara, Hitotsuzutsu Wasureteiku Tame ni, Aisuru Hitotachi to Te o Tori, Wakeatte, Semete Omoidasanai Yō ni, Kurashi o Tsuzuketeiku ...
Malaysian singer Awie served as Siti's duet partner on "Kalau Berkasih". Singaporean Awi Rafael wrote the music for "Mula dan Akhir" which was included in Fragmen. Indonesian singer Cakra Khan and Malaysian singer Hafiz Suip provided the vocals for duets "Seluruh Cinta" and "Muara Hati" respectively.
The song is a popular karaoke song in Japan ranking first in DAM karaoke ranking. It is the second song of the 2000s to accumulate 100 million streams after "Hanabi" by Mr. Children . The music critic Tomonori Shiba [ ja ] said the song became popular because of its easy to understand lyrics and simple chord progression .
Date Song Artist Reference January 2 "Boku no Hanbun" SMAP [2]January 16 "Wonderful Cupid/Glass no Mahou" NYC [3]January 23 "Kawatta Katachi no Ishi"
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
"Sen no Kaze ni Natte" (千の風になって, lit. ' Being a Thousand Winds ') is a single by Japanese singer Masafumi Akikawa.The lyrics are a Japanese translation of the poem, 'Do Not Stand at My Grave and Weep'.
The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).
"Battōtai" (抜刀隊, Drawn-Sword Regiment) is a Japanese gunka composed by Charles Leroux with lyrics by Toyama Masakazu in 1877. Upon the request of the Japanese government, Leroux adapted it along with another gunka, "Fusōka" (Song of Fusang), into the military march Japanese Army March [] in 1912.