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A Woman of No Importance by Oscar Wilde is "a new and original play of modern life", in four acts, first given on 19 April 1893 at the Haymarket Theatre, London. [1] Like Wilde's other society plays, it satirises English upper-class society.
Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular and influential playwrights in London in the early 1890s. [3]
The title-page of the first edition of The Sphinx, with decorations by Charles Ricketts. The Sphinx is a 174-line poem by Oscar Wilde, written from the point of view of a young man who questions the Sphinx in lurid detail on the history of her sexual adventures, before finally renouncing her attractions and turning to his crucifix.
The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
Using the term more critically, in "De Profundis", Oscar Wilde wrote from prison about his life regrets, stating: "I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a flaneur, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds." [33]
The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde, the last of his four drawing-room plays, following Lady Windermere's Fan (1892), A Woman of No Importance (1893) and An Ideal Husband (1895).
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...
"The Minx.—A Poem in Prose," Punch, or the London Charivari, Volume 107, 21 July 1894, p. 33; a parody of Oscar Wilde's The Sphinx (published 11 June 1894). "Overheard Fragment of A Dialogue," Punch, or the London Charivari , Volume 108, 12 January 1895, p. 24; a parody of Oscar Wilde's An Ideal Husband (premiered 3 January 1895).