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American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Columbia Pictures (American Film Technologies) [284] Hearts Are Thumps: 1937: 1994: RHI Entertainment, Inc. [285] Hell Below Zero: 1954: 1992: Columbia Pictures (American Film Technologies) [286] Hellcats of the Navy: 1957: 1991: Columbia Pictures (American Film Technologies) [287] Hell's Horizon: 1955: 1992: Columbia Pictures (American Film ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
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Free, White and 21; Gone Are the Days! Shock Corridor; 1964. Black Like Me; Nothing But a Man; One Potato, Two Potato; 1965. A Patch of Blue; 1966. Lost Command; A Man Called Adam; A Time for Burning* 1967. Guess Who's Coming to Dinner (1 remake: 2006) Hurry Sundown; In the Heat of the Night (2 sequels: 1970, 1971) The Story of a Three-Day Pass ...
The film was adapted by Eric Hatch, Jack Jevne and Eddie Moran from the 1926 novel by Thorne Smith. It was produced by Hal Roach and distributed by Metro-Goldwyn-Mayer. Topper was a huge hit with film audiences in the summer of 1937. Topper was the first black-and-white film to be digitally colorized, re-released in 1985 by Hal Roach Studios. [3]
Jigsaw is a 1962 British black and white crime film directed by Val Guest and starring Jack Warner and Ronald Lewis. [1] The screenplay was by Guest based on the 1959 police procedural novel Sleep Long, My Love by Hillary Waugh, [2] with the setting changed from the fictional small town of Stockford, Connecticut, [n 1] to Brighton, Sussex, while retaining the names and basic natures of its two ...
The film was held over for an entire year's run at some theaters. It remained the highest-grossing all-black-cast film until the release of Carmen Jones in 1954. Writing for The Spectator in 1936, Graham Greene gave the film a generally good review, speculating that audiences "will find [it] continuously entertaining, if only intermittently ...