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Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Love for nature is another important feature of Romantic poetry, as a source of inspiration. This poetry involves a relationship with external nature and places, and a belief in pantheism. However, the Romantic poets differed in their views about nature. Wordsworth recognized nature as a living thing, teacher, god, and everything.
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, or the deepest interpersonal affection, to the simplest pleasure. [1] An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love of food.
The Greeks further divided this love into positive and negative: one, the unhealthy version, is the self-obsessed love, and the other is the concept of self-compassion. Aristotle also considers philautia to be the root of a general kind of love for family, friends, the enjoyment of an activity, as well as that between lovers.
At other times, my heart will share with my eye (in imagination) some memory or thought of the beloved. So whether in painting or in imagination, you are always present with me. It is impossible for you to move outside the sphere of my thoughts; I am always with my thoughts, and they are always with you.
The first evidence of the poems that were to become the "Calamus" cluster is an unpublished manuscript sequence of twelve poems entitled "Live Oak With Moss," written in or before spring 1859. [4] These poems were all incorporated in Whitman's 1860 edition of Leaves of Grass, but out of their original sequence. These poems seem to recount the ...
This way, you can gauge your partner’s reactions virtually, instead of face-to-face. (It’s so much easier to have someone say something isn’t their thing over text than midway through sex ...
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...