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Matthiessen was an American studies scholar and literary critic at Harvard University [6] and chaired its undergraduate program in history and literature. [7] He wrote and edited landmark works of scholarship on T. S. Eliot, Ralph Waldo Emerson, the James family (Alice James, Henry James, Henry James Sr., and William James), Sarah Orne Jewett, Sinclair Lewis, Herman Melville, Henry David ...
In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a ...
Incorruptibility is a Catholic and Orthodox belief that divine intervention allows some human bodies (specifically saints and beati) to completely or partially avoid the normal process of decomposition after death as a sign of their holiness.
Understatement often leads to litotes, rhetorical constructs in which understatement is used to emphasize a point. It is a staple of humour in English-speaking cultures. For example, in Monty Python's The Meaning of Life, an Army officer has just lost his leg. When asked how he feels, he looks down at his bloody stump and responds, "Stings a bit."
But the boy’s death haunts him, mired in the swamp of moral confusion and contradiction so familiar to returning veterans of the wars in Iraq and Afghanistan. It is what experts are coming to identify as a moral injury: the pain that results from damage to a person’s moral foundation. In contrast to Post-Traumatic Stress Disorder, which ...
Death, Desire and Loss in Western Culture is a 1998 philosophy book by the social theorist Jonathan Dollimore. [1] The book describes the influence of the death obsession in western culture. Dollimore's analysis is heavily influenced by early modern culture.
The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level.