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José Pascual Antonio Aguilar Márquez Barraza [2] (17 May 1919 – 19 June 2007), known as Antonio Aguilar, was a Mexican singer and actor. He recorded over 150 albums, which sold 25 million copies, [ 3 ] and acted in more than 120 films. [ 4 ]
Emiliano Zapata is a 1970 Mexican drama film directed by Felipe Cazals and written, produced, and starring Antonio Aguilar as Emiliano Zapata.One of the first large-scale, expensive, and unconventional epics ever to be made in Mexico, [2] the film was shot in 70 millimeters and gave Aguilar the opportunity to portray his favorite revolutionary character.
Year Title Notes 1952: Un Rincon Cerca del Cielo: Ahora soy Rico: Yo Fui una Callejera: 1953: Por el Mismo Camino: Amor de Locura: Había una Vez un Marido: The Naked Woman
El ojo de vidrio was first released in VHS in 1991 by Million Dollar Video, and later in 2003 under the "Antonio Aguilar: Colección Clásica". In 2006, Tekila Films digitally restored the film and released in the DVD format, with bonus features such as scene selections and biographies.
José Jesús Antonio Aguilar Jiménez (born 9 October 1960), [1] known as Antonio Aguilar, Hijo (Antonio Aguilar, Jr.) is a Mexican singer and actor. He is the eldest son of singers and actors Antonio Aguilar and Flor Silvestre. [2] He made his acting debut in his parents' film La yegua colorada in 1972.
Valentín de la Sierra is a 1968 Mexican film directed by René Cardona and starring Antonio Aguilar. [1] The film is inspired by the corrido of the same name, a dramatization of the death of Cristero rebel Valentín Ávila Ramírez. The setting of the film was changed to the earlier Mexican Revolution. [2]
Ángela Aguilar turns pain into poetry with her new song, “Mis Amigas Las Flores.” TODAY.com exclusively premieres the music video.
It stars María Félix and Dolores del Río in the lead roles, and features Emilio Fernández, Antonio Aguilar, Flor Silvestre, and Pedro Armendáriz in supporting roles. The film was nominated for a Golden Palm award at the 1959 Cannes Film Festival. [1] It was named the ninety-sixth best film of Mexican cinema by Somos magazine. [2]