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A language based on the Quechuan languages, [23] Huttese is a lingua franca in the Star Wars universe. It is spoken by many groups and species, on Nal Hutta , Nar Shaddaa , Tatooine and other worlds in and around Hutt Space, the region of the galaxy under the Hutts' sphere of influence.
The Hutts' native language, Huttese, is a lingua franca of galactic organized crime. The language is a constructed language, with many distorted English words, most having the same syllables as the English. Its phonology is said to be based on the Quechua language. [5] Non-Hutts also speak Huttese, including the Max Rebo Band, Bib Fortuna, and ...
Greedo's Huttese language is based on Quechua, ... She reappears in the Star Wars:Darth Vader comic series; shortly before the events of Return of the Jedi, Sabé ...
The Max Rebo Band made their debut in Return of the Jedi during the scenes set in Jabba's palace on Tatooine.In the original version, the trio performs a Huttese-language pop song titled "Lapti Nek" (Huttese for "Fancy Man"); the English lyrics (by composer John Williams's son Joseph Williams) are about dancing; Hardware Wars creator Ernie Fosselius helped arrange the song.
The film "Star Wars IV: A New Hope" has been translated into more than 50 languages, including two Indigenous languages.
Commercial fictional languages are those languages created for use in various commercial media, such as: Books (The Lord of the Rings ' Quenya and Sindarin) Films (Avatar ' s Na'vi, Baahubali's Kiliki and Star Wars ' Huttese.) Television shows (Star Trek ' s Klingon, the Ultra Series' Ultra Language, Game of Thrones' Valyrian and Dothraki)
The original "Star Wars" film has been translated into more than 50 languages over the years, and the Ojibwe dub is actually the second time the blockbuster has been translated into an Indigenous ...
A cover in the fictional Huttese language was created for a trailer for Star Wars: Skeleton Crew. [44] A full-length version titled "Youngee Wim (Bunky Dunko)" was released on December 4, 2024, [45] [46] featuring vocals by the show's sound designer David W. Collins and supervising sound editor Matthew Wood. [47]