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  2. The Souls of Black Folk - Wikipedia

    en.wikipedia.org/wiki/The_Souls_of_Black_Folk

    Each chapter in The Souls of Black Folk begins with a pair of epigraphs: text from a poem, usually by a European poet, and the musical score of a spiritual, which Du Bois describes in his foreword ("The Forethought") as "some echo of haunting melody from the only American music which welled up from black souls in the dark past". [1]

  3. Soul music - Wikipedia

    en.wikipedia.org/wiki/Soul_music

    The impact of soul music was manifold; internationally, white and other non-black musicians were influenced by soul music. British soul and Northern soul, rare soul music played by DJs at nightclubs in Northern England, are examples. Several terms were introduced, such as "blue-eyed soul", which is R&B or soul music performed by white artists.

  4. Spirituals - Wikipedia

    en.wikipedia.org/wiki/Spirituals

    Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...

  5. Black Reconstruction in America - Wikipedia

    en.wikipedia.org/wiki/Black_Reconstruction_in...

    Du Bois' first published writing on Reconstruction was a 1901 Atlantic Monthly essay entitled "The Freedmen's Bureau", which was reprinted as the essay "Of the Dawn of Freedom" in his 1903 book The Souls of Black Folk. [1] He also wrote about Reconstruction in his 1924 book The Gift of Black Folk. [2]

  6. African-American folktales - Wikipedia

    en.wikipedia.org/wiki/African-American_folktales

    In West-Central Africa, there are folk stories of people meeting mermaids. Among the Gullah Geechee people in the Carolina Lowcountry and Sea Islands is a children’s story called ‘‘Sukey and the Mermaid’’ written by Robert D. San Souci. In the African diaspora, there are Afro-American folk stories of a little girl meeting a mermaid ...

  7. Meet the musician teaching the banjo's African roots - AOL

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  8. Why Bob Dylan's 1965 Newport Folk Festival performance ...

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    The Newport Folk Festival was cofounded in 1959 by jazz promoter George Wein and music manager Albert Grossman. (The latter is best known for representing Dylan between 1962 and 1970.)

  9. Double consciousness - Wikipedia

    en.wikipedia.org/wiki/Double_consciousness

    Double consciousness is the dual self-perception [1] experienced by subordinated or colonized groups in an oppressive society.The term and the idea were first published in W. E. B. Du Bois's autoethnographic work, The Souls of Black Folk in 1903, in which he described the African American experience of double consciousness, including his own.