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Assassin's Creed Odyssey is a 2018 action role-playing game developed by Ubisoft Quebec and published by Ubisoft. It is the eleventh major installment in the Assassin's Creed series and the successor to 2017's Assassin's Creed Origins .
An ostracon (Greek: ὄστρακον ostrakon, plural ὄστρακα ostraka) is a piece of pottery, usually broken off from a vase or other earthenware vessel. In an archaeological or epigraphical context, ostraca refer to sherds or even small pieces of stone that have writing scratched into them. Usually these are considered to have been ...
Ostraka se jménem Themistoklés, z roku 482 před n. l. Muzeum Staré agory v Athénách. Keywords: Athény;Stará agora museum: Image title:
In Odyssey, former Abstergo employee Layla Hassan discovers the broken spear of King Leonidas of Sparta, which is in fact a powerful Isu artifact. After reliving Leonidas' final moment of triumph during the Battle of Thermopylai for the game's tutorial section, she is then presented with a choice to explore the genetic memories of Leonidas' grandchildren, either Alexios or Kassandra, via her ...
Luis Rengifo and the Los Angeles Angels argued their salary arbitration case Thursday, with the infielder asking for $5.95 million and the team arguing for $5.8 million. Arbitrators Brian Keller ...
Some extra special copies had a full-page engraving by Hughes-Stanton for the dedicatory poem to "S.A.". [5] Other commissions followed and, in the next few years, he illustrated with wood engravings three tall folios for the Cresset Press – The Pilgrim's Progress (1928), The Apocrypha (1929) and D. H. Lawrence's Birds, Beasts and Flowers (1930).
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
During the Bronze Age (2nd millennium BC, approximately), engravings on rock outcrops took on the issue of weapons, reflecting the greater emphasis given them by the warriors in the Camunian society of the time. Continuing emphasis was given to geometric shapes (circles and variants), in continuity with engravings from earlier eras. [14]