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Dostoevsky saw Russia's growing suicide rate as a symptom of the decline of religious faith and the concomitant disintegration of social institutions like the family. [67] Self-destruction as a result of atheism or loss of faith is a major theme in Demons and further recalls the metaphor of the demon-possessed swine in the epigraph. [68]
The Idiot (pre-reform Russian: Идіотъ; post-reform Russian: Идиот, romanized: Idiót) is a novel by the 19th-century Russian author Fyodor Dostoevsky.It was first published serially in the journal The Russian Messenger in 1868–1869.
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
La Chinoise is a loose adaptation of Fyodor Dostoyevsky's 1872 novel Demons (also known as The Possessed). In the novel, five disaffected citizens, each representing a different ideological persuasion and personality type, conspire to overthrow the Russian imperial regime through a campaign of sustained revolutionary violence.
Dostoevsky's intention with "The Legend of the Grand Inquisitor" was to unmask the fundamental idea that lay behind the entire movement in Russia toward atheism, nihilism, rationalism and materialism, and away from the true Christian faith that was the spiritual heart of the nation. [7]
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A transgender military pilot posted a "proof of life" video to refute social media rumors that she flew the helicopter involved in the plane crash that killed 67 people.
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.