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Japan has a system of recycling marks, recycling identification marks (リサイクル識別表示マーク), which indicate and classify recyclable materials. They are similar to the resin identification codes , in that they have surrounding arrows, with text inside to indicate the type of material.
These early products bore an incised triangle mark. Most of the wares were white and were strongly influenced by silverware designs. [16] The early body was "a very translucent material, resembling milk-white glass", [17] later changing "to a harder and rather colder-looking material". [18]
The patterns are diverse, including geometric designs such as chintz and snowflake patterns, stylized drawings of plants, vegetables, and utensils, and pictorial landscapes, but all of them are characterized by their purely Japanese designs, which distinguishes them from Imari ware, which was modeled on Chinese traditions. [4]
Some of the typical vessel (器 utsuwa) types are: . tea bowl (茶碗 chawan); jar (壷 tsuba); bowl (鉢 hachi); tea caddy (茶入 chaire); The various features of a vessel such as the opening, rim, neck, wall, inside, foot, surface markings, etc. all have standardised names in Japanese.
A mark is a written or imprinted symbol used to indicate some trait of an item, for example, its ownership or maker. [1] [2] Mark usually consists of letters, numbers, words, and drawings. [3] Inscribing marks on the manufactured items was likely a precursor of communicative writing. [4] Historically, the marks were used for few purposes: [5]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
20th-century Jingdezhen ware, with factory mark: 中国景德镇 ("China Jingdezhen") and MADE IN CHINA in English. A factory mark is a marking affixed by manufacturers on their productions in order to authenticate them. Numerous factory marks are known throughout the ages, and are essential in determining the provenance or dating of productions.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...