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Common to all Spirit models is the flat top and back. One control cavity is routed into the rear of the guitar. All spirits have a double-cutaway design, with the upper horn slightly longer than the lower. The neck is set (glued) into the body and has 22 frets with pearl dot inlays.
The first versions had one single-coil P-90 pickup which was set close to the neck: there were two controls for volume and tone. In 1957 the ES-175 was offered with a choice of one or two of Gibson’s new Humbucker pickups. [6] It was the first of Gibson's electric Spanish guitars to be outfitted with Gibson's new PAF humbucker. [7]
Corvus II - two Alnico V humbuckers, volume, and tone knobs. Corvus III - three single-coil pick-ups, a five-way switch, one volume, and one tone knob. An upscale Corvus with a set rather than bolt-on neck was marketed under the name "Futura" (not to be confused with the Explorer prototype). The Corvus was one of several new models designed to ...
It has two alnico humbucker pickups, each with its own volume and tone control, a three-way selector switch allowing the player to choose one or both pickups, [11] a Tune-o-matic bridge and a stop-bar tailpiece. [7] Formerly made in Korea, [10] since 2002 the Dot has been made in Epiphone's factory in Qingdao, China. [12] [13]
All models featured a solid mahogany body, solid mahogany set neck, rosewood fretboard, two humbucker pickups, two volume controls, one master tone control, and a DPDT switch used for coil tapping. The Genesis also featured an elongated headstock with 3 + 3 tuners, 22 frets, a front-mounted output jack, a Tune-o-matic bridge, and stop tailpiece ...
Also in 1979 a limited edition model, the SG Exclusive was produced. Visually similar to the SG Standard of the time, the special features included an ebony fretboard, two Dirty Fingers humbucker pickups, and a master volume, two tone controls, and rotary coil tap that gradually eliminated one coil from each humbucker.
The ES-165 was originally released with a single 490R humbucker, one volume control (300k Linear taper) and one tone control (500K audio with a .022 microfarad ceramic disc capacitor.) In 2004 the 490R humbucker was replaced with a Gibson BJB Floating humbucker and the tone control was removed. The volume was moved to the surface of the pickguard.
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components.