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There are two volume controls, one tone control, and one Les Paul style Rhythm/Treble switch. ... Two-Humbucker Spirit XPL. ... and the tremolo system was a floating ...
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components.
Features two humbucker pickups, one tone knob, one volume knob, and a three-way pickup selector. RGX 211; A RGX211 guitar. Features H-S Pickup's layout design: a humbucker the bridge for fat lead tones and a single-coil in the neck, for treble (and traditional Stratocaster) tones. It had a version of Floyd Rose tremolo's bridge, and a 24 frets ...
Also in 1979 a limited edition model, the SG Exclusive was produced. Visually similar to the SG Standard of the time, the special features included an ebony fretboard, two Dirty Fingers humbucker pickups, and a master volume, two tone controls, and rotary coil tap that gradually eliminated one coil from each humbucker.
Three-position pickup selector switch (neck, neck and bridge, bridge), two-position phase shift switch (in phase, out of phase) which operates only when both pickups are selected (middle position). Master volume and tone controls. Lead III, 1982: Two humbuckers, one at the neck, the other at the bridge. Three-position pickup selector switch ...
All models featured a solid mahogany body, solid mahogany set neck, rosewood fretboard, two humbucker pickups, two volume controls, one master tone control, and a DPDT switch used for coil tapping. The Genesis also featured an elongated headstock with 3 + 3 tuners, 22 frets, a front-mounted output jack, a Tune-o-matic bridge, and stop tailpiece ...
The ES-150DC was a hollowbody electric guitar with a double-cutaway body similar in appearance to the semi-hollow 335 guitars (except for a greater body thickness). It featured two humbuckers, a rosewood fingerboard with small block inlays, and a master volume knob on the lower cutaway.
The L9-S came equipped with two humbucking pickups designed especially for the Ripper by Bill Lawrence which were called "Super Humbuckers." The "Q System" tone circuit included a master volume, master tone, a midrange roll-off, and a four position pickup selector control: