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In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc.
The graphite composite boom that provides the structural connection between the shoulder and the elbow joint and the similar boom that connects the elbow to the wrist were produced by General Dynamics in the United States. Dilworth, Secord, Meagher and Associates, Ltd. in Toronto was contracted to produce the engineering model end effector then ...
Usually jib arms are attached to a vertical mast or tower or sometimes to an inclined boom. In other jib-less designs such as derricks, the load is hung directly from a boom which is often anomalously called a jib. A camera jib or jib arm in cinematography is a small crane that holds nothing but the camera. [4]
The boom was grappled by the Canadarm and served as an extension of the arm, doubling its length to a combined total of 100 feet (30 m). [1] At the far end of the boom was an instrumentation package of cameras and lasers used to scan the leading edges of the wings, the nose cap, and the crew compartment after each lift-off and before each landing.
A robotic arm is a type of mechanical arm, usually programmable, with similar functions to a human arm; the arm may be the sum total of the mechanism or may be part of a more complex robot. The links of such a manipulator are connected by joints allowing either rotational motion (such as in an articulated robot ) or translational (linear ...
A boom operator onboard a JL Fisher camera dolly with boom pole fully extended A "dead wombat" or "dead cat" (left) and "dead kitten" (right) wind-attenuating microphone covers Often in television studios, the boom operator will use a Fisher boom, which is a more intricate and specialized piece of equipment on which the operator stands ...