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A hybrid headphone amplifier with the chassis cover removed. Most headphone amplifiers support a higher voltage output and therefore higher power (volume) levels. Whereas most portable electronics are powered by a 1.8, 2.5 or 3.3 Vpp supply, many headphone amplifiers use 10, 18 or 24 Vpp supplies, allowing 5-20 dB higher volume. [1]
The 6SN7 was used as an audio amplifier in the 1940-1955 period, usually in the driver stages of power amps. The designer of the famous Williamson amplifier , one of the first true high-fidelity designs, suggested use of the 6SN7 (or B65) in his 1949 revision since it is similar to the original circuit's L63 (=6J5) British single triodes, four ...
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
In digital and analog audio, headroom refers to the amount by which the signal-handling capabilities of an audio system can exceed a designated nominal level. [1] Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the nominal level without damaging the system or the audio signal, e.g., via clipping. Standards ...
The TNT Series bass amplifier first entered the market in the late 1970s as a 45-watt combo with one 15-inch speaker. The high-power TNT bass amplifier series was introduced as a 150–200 watt bass combo primarily equipped with a Scorpion or Black Widow 15-inch woofer.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.