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Without a noise gate, the microphone for a specific instrument such as the floor tom will also pick up signals from nearby drums or cymbals. With a noise gate, the threshold of sensitivity for each microphone on the drum kit can be set so that only the direct strike and subsequent decay of the drum will be heard, not the nearby sounds.
MXR also had a line of professional rackmount effects used by the likes of David Gilmour, [6] Stuart Adamson and Mike Rutherford. The first product introduced was the Digital Delay, which had delay times from 0.08ms to 320ms, but users could purchase additional plug-in memory boards that were user-installable and could increase delay times to ...
Rackmount effects have a standardized 19-inch width, and height of 1 or more rack unit(s). Devices that are less than 19 inches wide can sometimes be made rackmount-compatible via special rackmount adapters. [15] A rackmount effects unit may contain electronic circuitry identical to a stompbox's, although its circuits are typically more complex.
An Alesis Micro Gate noise gate. A noise gate or simply gate is an electronic device or software that is used to control the volume of an audio signal.Comparable to a limiter, which attenuates signals above a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register below the threshold. [1]
TG33 (1990) — rack mount version of SY22; TG55 (1989) — rack mount version of SY55; TG500 (1992) — rack mount version of SY85; TG77 (1990)— rack mount version of SY77; FS1R (1998) — FM and formant synthesis
Improved Yamaha YM2612, PCM supported on one of the channels, silicon-gate CMOS LSI chip Yamaha YMF262 (a.k.a. OPL3) 1990 [75] 36 18 4 Sound Blaster Pro 2.0 and later cards for PC (including Sound Blaster 16, AdLib Gold 1000 and AWE32) Silicon-gate CMOS chip [54] [33] [62] Yamaha DS1001 (Konami VRC7) 1990 12 6 2 Famicom cartridge Lagrange Point
Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system ) to make the hits sound powerful and "punchy" while keeping the overall mix sound clean and ...
Other opamps that people try, include: the CA3130EZ (MOSFET-based), the NE5535A / NE5534AP (high slew rate, low noise), the LM741 (low drive) and finally the TL071 / TL081 (both BI-FET based). Many RAT modders install an opamp socket to enable easy swapping of opamps, which is similar to what people do with the Ibanez Tube Screamer circuit.