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Basic definitions of terms. A continuity editorial technique in which sequential shots of two or more actors within a scene are all shot with the camera on one side of the two actors so that a coherent spatial relationship and eyeline match are maintained. A shot taken from an aerial device, generally while moving.
Sound design commonly involves performing (see e.g. Foley) and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A sound designer is one who practices sound design.
Film style categorizes films based on the techniques used in the making of the film, such as cinematography or lighting. Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action films about the possible end of the world.
In filmmaking, Foley[a] is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. [1] Foley is named after sound-effects artist Jack Foley. [2] Foley sounds are used to enhance the auditory experience of a movie. They can be anything from the swishing of clothing ...
Surround sound. Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener (surround channels). Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three screen channels of sound that ...
To convey mood, emotion, narrative and other factors within the shot, cinematography is implemented by using different aspects within a film. Lighting on the scene can affect the mood of a scene or film. Darker shots with less natural light can be gloomy, scary, sad, intense. Brighter lighting can equate to a happier, exciting, more positive mood.
Graphical sound. Graphical sound or drawn sound (Fr. son dessiné, Ger. graphische Tonerzeugung,; It. suono disegnato) is a sound recording created from images drawn directly onto film or paper that were then played back using a sound system. There are several different techniques depending on the technology employed, but all are a consequence ...
Formalist film theory. Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]