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Emancipation of the dissonance. Chords, featuring chromatically altered sevenths and ninths and progressing unconventionally, explored by Debussy in a "celebrated conversation at the piano with his teacher Ernest Guiraud " (Lockspeiser 1962, 207). The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg ...
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". [1] ". Impressionism" is a philosophical and aesthetic term ...
The final result of this was the so-called "emancipation of the dissonance" [56] by some 20th-century composers. Early-20th-century American composer Henry Cowell viewed tone clusters as the use of higher and higher overtones. [a] Composers in the Baroque era were well aware of the expressive potential of dissonance:
Post-tonal music theory. Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period. It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural ...
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
The three central figures of musical expressionism are Arnold Schoenberg (1874–1951) and his pupils, Anton Webern (1883–1945) and Alban Berg (1885–1935), the so-called Second Viennese School. Other composers that have been associated with expressionism are Ernst Krenek (1900–1991) (the Second Symphony, 1922), Paul Hindemith (1895–1963 ...
[n 3] By using unresolved mild discords and colouristic effects, Fauré anticipated the techniques of Impressionist composers. [ 6 ] In later years Fauré's music was written under the shadow of the composer's increasing deafness, becoming gradually less charming and more austere, marked by what the composer Aaron Copland called "intensity on a ...
The Romantic era of Western Classical music spanned the 19th century to the early 20th century, encompassing a variety of musical styles and techniques. Part of the broader Romanticism movement of Europe, Ludwig van Beethoven, Gioachino Rossini and Franz Schubert are often seen as the dominant transitional figures composers from the preceding Classical era.