Search results
Results From The WOW.Com Content Network
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". [1] ". Impressionism" is a philosophical and aesthetic term ...
Emancipation of the dissonance. Chords, featuring chromatically altered sevenths and ninths and progressing unconventionally, explored by Debussy in a "celebrated conversation at the piano with his teacher Ernest Guiraud " (Lockspeiser 1962, 207). The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg ...
20th-century classical music is art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but ...
The three central figures of musical expressionism are Arnold Schoenberg (1874–1951) and his pupils, Anton Webern (1883–1945) and Alban Berg (1885–1935), the so-called Second Viennese School. Other composers that have been associated with expressionism are Ernst Krenek (1900–1991) (the Second Symphony, 1922), Paul Hindemith (1895–1963 ...
The final result of this was the so-called "emancipation of the dissonance" [56] by some 20th-century composers. Early-20th-century American composer Henry Cowell viewed tone clusters as the use of higher and higher overtones. [a] Composers in the Baroque era were well aware of the expressive potential of dissonance:
Arnold Schoenberg. Arnold Schoenberg or Schönberg[a] (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motives as a means of ...
Post-tonal music theory. Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period. It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural ...
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...