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The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint.
Contrapasso. In Dante 's Inferno, contrapasso (or, in modern Italian, [1] contrappasso, from Latin contra and patior, meaning "suffer the opposite") is the punishment of souls "by a process either resembling or contrasting with the sin itself." [2] A similar process occurs in the Purgatorio. [2]
Cambiata, or nota cambiata (Italian for changed note), has a number of different and related meanings in music.Generally it refers to a pattern in a homophonic or polyphonic (and usually contrapuntal) setting of a melody where a note is skipped from (typically by an interval of a third) in one direction (either going up or down in pitch) followed by the note skipped to, and then by motion in ...
Contrapposto. A marble copy of Polykleitos ' Doryphoros, an early example of classical contrapposto. Contrapposto (Italian pronunciation: [kontrapˈposto]) is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off ...
Meaning Origin language and etymology Example(s) a-, an-not, without (alpha privative) Greek ἀ-/ἀν-(a-/an-), not, without analgesic, apathy, anencephaly: ab-from; away from Latin abduction, abdomen: abdomin-of or relating to the abdomen: Latin abdōmen, abdomen, fat around the belly abdomen, abdominal -ac: pertaining to; one afflicted with
Kontra-Punkte. Kontra-Punkte (Counter-Points, or Against-Points) is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes of note values and dynamic levels, into a homogeneous ending texture. Stockhausen described it: "Counter-Points: a series of the most ...
Kleiner Trauermarsch, K. 453a. " Kleiner Trauermarsch " ("Little Funeral March") in C minor, K. 453a, is a keyboard work composed in 1784 by Wolfgang Amadeus Mozart, written in the notebook of his student Barbara Ployer.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details ...