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Filipino dance styles like the kumintang, type of song and dance, and dances like the Pampangois, a dance distinguished for its lion-like actions and hand clapping, were pushed aside when Spanish colonist had come. However, they were later remade with influences from new Spanish dances such as the fandango, lanceros, curacha, and rigodon. [40]
Manila sound. Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM.
Budots is a Bisaya slang word for slacker (Tagalog: tambay). [1] An undergraduate thesis published in University of the Philippines Mindanao suggests the slang originated from the Bisaya word burot meaning "to inflate," a euphemism to the glue-sniffing juvenile delinquents called " rugby boys." The publication also claims that rugby boys dance ...
SexBomb Girls. The SexBomb Girls (also known as SB Girls, SBG, SexBomb Dancers, and now SB NewGen) is a Filipino girl group formed by dance guru Joy Cancio in 1999. Known for their novelty music and stage performances, they are credited as one of the leading figures of the Pinoy pop (P-pop) wave in the Philippines. [1]
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Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
1970 [3] –present. Musical artist. Raymundo Cipriano Pujante Cayabyab (born May 4, 1954), known professionally as Ryan Cayabyab (Tagalog: [ˈɾajɐn kɐjɐbˈjab]), is a Filipino musician, composer and conductor regarded as one of the pillars and icons of Original Pilipino Music (OPM). He was the Executive and Artistic Director for several ...
Lucrecia "King" Roces Kasilag was born in San Fernando, La Union Philippines, the third of the six children of Marcial Kasilag Sr., a civil engineer, and his wife Asuncion Roces Ganancial, a violinist and a violin teacher. [2]: 87–88 She was Kasilag's first solfeggio teacher. The second was Doña Concha Cuervo, who was a strict Spanish woman.