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Lingua franca (Italian lingua Franca, 'Frankish language', its usage to mean a common tongue originated from its meaning in Arabic and Greek during the Middle Ages, whereby all Western Europeans were called 'Franks' or Faranji in Arabic and Phrankoi in Greek) [4] [5] Motto (Italian motto 'word') [6] Novel (Italian novella 'tale') Ottava rima
It includes basic, commonly used, literary, colloquial, dialectical, archaic and obsolete Bulgarian words, as well as some specialized terminology. The latest volume (15th) published in 2015 ends with headwords beginning with the (Bulgarian Cyrillic) letter Р. [97] French: 116,000
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Italian has a significant use in musical terminology and opera with numerous Italian words referring to music that have become international terms taken into various languages worldwide. [22] Almost all native Italian words end with vowels, and the language has a 7-vowel sound system ('e' and 'o' have mid-low and mid-high sounds). [23]
The letter j (I lunga, "long I", or gei) is not considered part of the standard Italian alphabet; however, it is used in some Latin words, in proper nouns (such as Jesi, Letojanni, Juventus, etc.), in words borrowed from foreign languages (most common: jeans, but also jazz, jet, jeep, banjo), [13] and in an archaic spelling of Italian.
This category is not for articles about concepts and things but only for articles about the words themselves. As such almost all article titles should be italicized (with Template:Italic title). Please keep this category purged of everything that is not actually an article about a word or phrase. See as example Category:English words.
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
The California Job Case was a compartmentalized box for printing in the 19th century, sizes corresponding to the commonality of letters. The frequency of letters in text has been studied for use in cryptanalysis, and frequency analysis in particular, dating back to the Arab mathematician al-Kindi (c. AD 801–873 ), who formally developed the method (the ciphers breakable by this technique go ...