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Many others had the Victorian décor stripped off or covered with tarpaper, brick, stucco, or aluminum siding. In 1963, San Francisco artist Butch Kardum began combining intense blues and greens on the exterior of his Italianate-style Victorian house. His house was criticized by some, but other neighbors began to copy his example.
In Great Britain and former British colonies, a Victorian house generally means any house built during the reign of Queen Victoria. During the Industrial Revolution , successive housing booms resulted in the building of many millions of Victorian houses which are now a defining feature of most British towns and cities.
The color combination of the houses also emphasized the contrast between the lighter colors of the details and the darker colors of the house body. [5] In the United States, especially in California, American home builders in the 1880s replaced flat-cut gingerbread ornamental elements that were popular in the 1860s and 1870s with lathe-tuned ...
Light Blue. Light or pastel blue (or specifically, baby blue) “feels really dated and is reminiscent of the 1980s,” LaMarque says. “Pastel blue easily washes out and can make your exterior ...
Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did ...
The exterior, which is mostly pink and teal, was painted with colors that were duplicated from the original colors that were found on chips on the house. [4] The interior has been restored to recreate the appearance that it is believed to have had in 1899, but many of the house's original interior features remain intact. [ 4 ]
The house in Alfred Hitchcock's Psycho was also in the Second Empire style, as was the decaying house in Frank Capra's It's a Wonderful Life. There were positive representations as well, however: the nostalgic film Meet Me in St. Louis features a large Second Empire mansion beloved by the family.
The elaborate 13-color exterior paint scheme has been reconstructed from the original tones. [2] It has a many-sided roof with prominent gables and a porte-cochere in front. The windows are a mix of shapes, including horseshoe and round; some are made from French plate glass and decorated with stained glass. The house sits on an ashlar foundation.