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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
The compositions take the musical style of nocturnes [1] with each having its own distinctive style. [2] Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3] [4] There exist two versions of the Consolations.
Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
According to 5th ed. of Grove (1954), Nos. 1 and 2 (settings of Uhland) were written in c. 1849 and published in 1850, but No. 3 (a Freiligrath setting) was written in c. 1845 and published in 1847. The piano transcription of No. 3 is more effective than the other two, at least for concert performance, and this to my mind is doubtless why the ...
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Here's what to know about Part 2 of American Horror Story Season 12, including a release date and more. When will American Horror Story: Delicate return for Part 2? Here's what to know about Part ...
Portrait of Schubert (1827) Schubert was a prolific composer, and despite his personal struggles, he produced a plethora of works in the late 1820s. [1] The Impromptus were composed during a particularly creative period in 1827, which included the Piano Trio No. 1, Piano Trio No. 2, the Impromptus, Op. 142, the Fantasy for violin and piano and some 30 other works.