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Turn! Turn! Turn! is the second studio album by the American rock band the Byrds, released on December 6, 1965, by Columbia Records. [1] Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. [2]
"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. [1] The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a ...
The Byrds' second album, Turn! Turn! Turn!, was released in December 1965 [86] and while it received a mostly positive reception, critical consensus deemed it to be inferior to the band's debut. [87] Irrespective of the critics' opinions, the album was a commercial success, peaking at number 17 on the U.S. charts and number 11 in the UK. [87]
"It Won't Be Wrong" is a song by the American folk rock band the Byrds, which appeared as the second track on their 1965 album, Turn! Turn! Turn! [2] It was also coupled with the song "Set You Free This Time" for a single release in 1966, [2] resulting in "It Won't Be Wrong" charting at number 63 on the Billboard Hot 100. [3]
Turn! Turn!. [4] Rolling Stone Album Guide contributor Rob Sheffield particularly praised the song particularly for its "devastated drone." [8] Something Else! contributor Beverly Paterson described "If You're Gone" and another Clark composition on Turn! Turn! Turn!, "Set You Free This Time," as "stark ballads aching with regret."
"Set You Free This Time" is a song by the American folk rock group the Byrds, written by band member Gene Clark. It was first released in December 1965 on the group's Turn! Turn! Turn! album, [2] [3] and later issued as a single in January 1966.
“Altitude,” his first album in more than five years, was inspired by the Byrds’ groundbreaking cosmic country of the late 1960s. As such, it sounds like a throwback, but also entirely fresh.
Turn! album, Melcher had found himself in conflict with the band's manager, Jim Dickson, who had aspirations to produce the Byrds himself. [12] Within a month of the band's second album being released, Dickson—with the full support of the Byrds—approached Columbia and insisted that Melcher be replaced. [ 12 ]