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C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...
Duet in E flat for harp and piano, C. 170 (1799) Two Duettinos for harp and piano (c.1802) ... Concerto in B-flat major for harp and orchestra, Op. 4, No. 6, HWV 294 ...
Craw 257 \ Favorite air adapted for harp & piano in E-flat major Craw 258 \ Favorite air adapted for harp & piano in B-flat major Craw 259 \ Piano Sonata Op. 77 in F minor (No. 28) Craw 260 \ Piano Trio Op. post No. 1 in E-flat major Craw 261 \ Piano Trio Op. post No. 2 in B-flat major Craw 262 \ Canon a 4: "Il Escorcismo della Podagra" in C minor
The vast majority of Dussek's music involves the piano or harp in some way. He wrote 35 sonatas for piano and 11 for piano duet, as well as numerous other works for both configurations. His chamber music output includes 65 violin sonatas, 24 piano (or harp) trios, and a variety of works for harp, harp or piano, or harp and piano.
Concerto for Flute and Harp: C major Flute and Harp K 299 1778 20 Brahms Piano Concerto No. 2: B-flat major Piano Op.83 1881 19 Beethoven Triple Concerto: C major Violin, Cello, and Piano Op.56 1803 18 Tchaikovsky Violin Concerto: D major Violin Op.35 1878 17 Brahms Violin Concerto: D major Violin Op.77 1878 16 Beethoven Piano Concerto No. 4: G ...
Invocation for Cello and Piano (1908) (C.G. Roeder) Pièce Concertante for Trombone and Piano, opus 27 (1910) (Evette & Schaeffer, 1910) Rivalité de Fleurs for Voice and Piano, opus 25 (1911) (Costallat) Four Choruses in Old Sonata Form for 3 men's voices/choir and harp, organ or piano (1914) (H.W. Gray, 1918)
The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra.It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of ...
Concerto no. 1 for harp/piano and orchestra in C major (1771), also printed as Concerto for harpsichord and orchestra op. 6 (1777) Concerto no. 2 for harp/piano and orchestra in D major op. 9 (1771) Concerto no. 1 for bassoon and orchestra in C major (c.1771) Concerto no. 3 for oboe and orchestra in C major (1772)