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Working in layers is used extensively in oil painting for paintings that require more than one session. For a painting that develops over several days, allowing for the oil paint to dry for a given layer, it is helpful to work with explicit painting layers. The first layer may be a ground, usually applied all over the surface.
A basic rule of oil paint application is 'fat over lean', meaning that each additional layer of paint should contain more oil than the layer below to allow proper drying. If each additional layer contains less oil, the final painting will crack and peel. The consistency on the canvas depends on the layering of the oil paint.
In oil painting, the simplest form of a glaze is a thin, oily, transparent layer of paint spread over the top of an opaque passage that has been given some time to dry. Light travels through the glaze and is reflected back off of the opaque layer below.
These media do provide consistent drying times, increase the paint film flexibility, and promote adhesion between paint layers. However, because classical painting media, turpentine, natural resins, and certain plant oils ( linseed , walnut and poppy ) have lasted for centuries when applied properly, some artists choose to avoid synthetic media ...
Oil paints can be diluted with turpentine or other thinning agents, which artists take advantage of to paint in layers. There is also another kind of oil paint that is water-mixable, making the cleaning and using process easier and less toxic.
Wet-on-wet, or alla prima (Italian, meaning at first attempt), direct painting or au premier coup, [1] is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil painting, the technique requires a fast way of working, because the work has to be finished before the first ...