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And the people shall take them, and bring them to their place: and the house of Israel shall possess them in the land of the LORD for servants and handmaids: and they shall take them captives, whose captives they were; and they shall rule over their oppressors. [7]
In the King James Version of the Bible, it is translated as: and coming out of the graves after His resurrection, they went into the holy city and appeared to many. The Modern World English Bible translates the passage as: and coming out of the tombs after his resurrection, they entered into the holy city and appeared to many.
The Gospel of John is a 2003 epic biblical drama film that recounts the life of Jesus according to the Gospel of John. [3] The film is a word-for-word adaptation of the American Bible Society's Good News Bible and follows the Gospel of John precisely, without additions to the story from the other Gospels or omissions of the Gospel's complex passages.
During the 1950s, most of the films recounting Jesus' life were financed by church groups and played in churches. These were often film versions of the traditional Passion Play. At this time there were some successful films that involved Jesus, but they put him at a distance from the central characters and were based on novels rather than the ...
Psalm 126 is the 126th psalm of the Book of Psalms, beginning in English in the King James Version: "When the Lord turned again the captivity of Zion, we were like them that dream". In Latin, it is known as In convertendo Dominus . [ 1 ]
The Gospel of John is a 2014 biblical film directed by David Batty with Selva Rasalingam in the role of Jesus. [1] [2] [3] The film is an adaption of the Gospel of John, the fourth book of the New Testament in the Christian Bible. The film was initially released on Netflix and then on DVD.
The archetypal account that is negotiated is a "captivity narrative" in which apostates assert that they were innocently or naïvely operating in what they had every reason to believe was a normal, secure social site; were subjected to overpowering subversive techniques; endured a period of subjugation during which they experienced tribulation ...
Piovanelli describes the work as "a narrative midrash of Psalm 126 ('When the Lord brought back the captive ones of Zion, we were like those who dream ...')." [ 55 ] As for other possible sources the author of the work may have employed, Harris argues for the influence of the Arabic Diatessaron of Tatian ; [ 56 ] Marmorstein points out numerous ...