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Thoguluva Meenatchi Iyengar Soundararajan [1] (24 March 1922 – 25 May 2013), popularly known as TMS, was an Indian Carnatic musician and a playback singer in Tamil cinema for over six and a half decades. He sang over 10,138 songs from 3,162 films, [2] [3] including devotional, semi-classical, Carnatic, classical and light music songs. [4]
Arunagiri feels guilty and attempts suicide by jumping off a temple tower, but Murugan himself, disguised as a pious young man, saves him. Murugan cures his leprosy, shows him a path of religious devotion, and initiates his composition of the Thiruppugal , an anthology of songs dedicated to Murugan.
The following songs have been produced by TMS (production team) Pages in category "Song recordings produced by TMS (production team)" The following 37 pages are in this category, out of 37 total.
The majority of the songs are sung to Murugan, but there are also a few songs that sing of deeds of Shiva or the avatars of Vishnu, and of the power of Parvati. Almost all songs end addressing Murugan as Perumal, a term that traditionally had strong associations with Tamil Vaishnavism. However the literal meaning in Tamil of the word Perumal is ...
The film features musical score composed by Sean Roldan, with lyrics written by Yugabharathi, Raju Murugan and Arivu. Preceded by three singles—"Power", "Thala Kodhum" and "Sendumalli"—the soundtrack was released by Sony Music India on 1 November 2021, with a bonus song "Manniley Eeramundu" unveiled after the film's release. The music ...
The music was instrumental in the film's success. [13] "Seval Kodi" was mentioned by The Times of India, as one among five Tamil songs that celebrated Tamil culture, as its lyrics "described the superior power of Tamil's god Murugan". [14] The theme music was altered in the prequel Billa II (2012) by Yuvan. [15]
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Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.