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Piano, original 2nd version of S.171e 172a/ 5 A 61/ 5 Miserere: pf E minor 1840–47 Piano, original 1st version of S.173/8 172a/ 6 A 61/ 6 Pater noster (d'après la Psalmodie de l'Eglise) pf C major 1840–47 Piano, original 1st version of S.173/5; adapted for mch as S.21 172a/ 7 A 61/ 7 Hymne de l'enfant à son réveil: pf A ♭ major 1840 ...
An example which illustrates the problem might be Liszt's "La Notte", the second piece of the Trois Odes funèbres. Projected 1863 and achieved 1864, "La Notte" is an extended version of the prior piano piece Il penseroso from the second part of the Années de pèlerinage. According to Liszt's remark at the end of the autograph score, "La Notte ...
Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...
The piano duet version is a straightforward transcription of the orchestral version, while the solo piano version is an independent composition. Liszt dedicated the piece to Karl Tausig, his favourite pupil. [5] A further two piano version, published by Schuberth in 1885, was arranged by Dr. Fritz Stade and later revised by Isidor Philipp.
The melody is quite dramatic, almost impressionistic, radically changing in dynamics at times, and has inspired many listeners. The étude has been considered by many pianists as one of the most beautiful piano pieces ever composed. [7] [failed verification] Liszt kept the étude in his repertoire until his final years.
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.