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Reliquary Cross, front view with reliquary plaque. 29.8 × 12.5 × 2.5 cm (11.75 in high), The Cloisters, New York. The Reliquary Cross is a small (29.8 × 12.5 cm) French metalwork sculpture dated c. 1180, now in The Cloisters museum in New York.
Holbeinesque jewellery includes pendants, brooches and earrings in the neo-Renaissance or Renaissance Revival style, and once again became fashionable in the 1860s. The designs differ from the older stylised and pious neo-Gothic jewellery, in that they are extravagantly opulent – this richness of form and colour which had appealed to the Tudor court was rediscovered by Victorian jewellers ...
Blanks could be produced by fusing two separately cast sheets of glass, or by dipping the base glass into a crucible of molten overlay glass during blowing. [14] The most famous example of a cameo from the early period is the Portland Vase. Woman wearing a cameo at her throat, on a high lace collar in the Edwardian style
A cabochon (/ ˈ k æ b u ʃ ɒ n /; from Middle French caboche 'head') is a gemstone that has been shaped and polished, as opposed to faceted. The resulting form is usually a convex (rounded) obverse with a flat reverse. [1] Cabochon was the default method of preparing gemstones before gemstone cutting developed. [2]
Also in Africa, Kiffa beads are made in Mauritania, historically by women, using powdered glass that the bead maker usually grinds from commercially available glass seed beads and recycled glass. Molded ground glass, if painted into the mold, is called pate de verre, and the technique can be used to make beads, though pendants and cabochons are ...
Founder Ludwig Moser in 1901. The original company Moser glassworks, founded in 1857 by Ludwig Moser in Karlovy Vary (called Karlsbad at the time), was a glass workshop initially devoted to polishing and engraving glass blanks; [5] only later did the company begin designing and making its own art glass products. [6]
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