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The Anglo-Saxon lyre, also known as the Germanic lyre, a rotta, or the Viking lyre, is a large plucked and strummed lyre that was played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe. The oldest lyre found in England dates before 450 AD and the most recent dates to the 10th century.
A six-course double-strung 12 string lyre-guitar at the Museu de la Música de Barcelona. A postcard showing a girl playing a lyre-guitar, c. 1870. The classical theme is typical of the period. A musical instrument of the chordophone family, the lyre-guitar was a type of guitar shaped to look like a lyre, popular as a fad-instrument in the late ...
The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
The rotta (also rotte, chrotta or hrotta) is a type of lyre that was widely used in north-western Europe from pre-Christian to medieval times. It a descendant of the ancient lyre which originated in western Asia, was adopted in Ancient Egypt, and then adopted and adapted by the Ancient Greeks as the cithara. [1] One variant is the Anglo-Saxon lyre.
The cithara is said to have been the invention of Apollo, the god of music. [7] Apollo is often depicted playing a cithara instead of a lyre, often dressed in a kitharode ’s formal robes. Kitharoidos , or Citharoedus , is an epithet given to Apollo, which means "lyre-singer" or "one who sings to the lyre".
Farewell to Tarwathie (Fareweel Tae Tarwathie, Roud number 2562) is a folk song written by George Scroggie in Aberdeenshire, Scotland around 1850. [1] The piece is part of the collection The Peasant's Lyre, preserved in the Library of Congress, published in 1857 in Aberdeen, in which the poem Farewell to Tarwathie appears with 16 stanzas.
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In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...