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Orfeo ed Euridice ([orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi.
L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
Euridice, an opera by Giulio Caccini with librettist Ottavio Rinuccini (1602) L'Orfeo, the first opera by Monteverdi (1607) Orfeo, an opera by Luigi Rossi (1647) Orpheus, an opera by Georg Philipp Telemann (1726) Orpheus and Euridice, an ode by William Hayes (1735) Orfeo ed Euridice, an opera by Christoph Willibald Gluck (1762)
Ecco Orfeo, cui pur dianzi ("Here is Orpheus, for whom sighs were food") Act 2 Orchestra Sinfonia Orfeo, pastori secondo e terzo Ecco pur ch'a voi ritorno ("Behold I return to you") Sections interspersed with ritornelli Coro di ninfi e pastori Dunque fa' degni, Orfeo ("Then, Orpheus, make worthy") Followed by ritornello Orfeo
Euridice (1600), an opera by Jacopo Peri, the first genuine opera whose music survives to this day [15] Orfeo ed Euridice, an opera by Christoph Willibald Gluck [16] L'Orfeo (1607), by Claudio Monteverdi, widely regarded as the first operatic masterwork [17] La Descente d'Orphée aux enfers H.488 (1686), opera by Marc-Antoine Charpentier
L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses.
Hadestown is a musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
For Scottish Opera she sang Dorabella in Mozart's Così fan tutte and Dido in Berlioz's The Trojans, as well as Dido in Purcell's Dido and Aeneas, [11] Octavian in Richard Strauss's Der Rosenkavalier, the Composer in Ariadne auf Naxos and the role of Orfeo in Gluck's Orfeo ed Euridice. The latter was considered her signature role; she sang it ...