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  2. Accompaniment - Wikipedia

    en.wikipedia.org/wiki/Accompaniment

    In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar.

  3. Art song - Wikipedia

    en.wikipedia.org/wiki/Art_song

    Bar five of Schubert's art song entitled Nacht und Träume. The vocal part, including the melody notes and the text, is in the top stave. The two staves below are the piano part. An art song is a Western vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition.

  4. List of classical music genres - Wikipedia

    en.wikipedia.org/wiki/List_of_classical_music_genres

    Art song – Musical setting of a poem or text usually written for one voice with piano accompaniment. Lied – German art song. Mélodie – French art song. Song cycle – Group of songs designed to be performed in a sequence as a single entity. Aubade – Song or instrumental composition concerning morning love or lovers separating at dawn.

  5. Alberti bass - Wikipedia

    en.wikipedia.org/wiki/Alberti_bass

    Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music. [5] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano.

  6. Collaborative piano - Wikipedia

    en.wikipedia.org/wiki/Collaborative_piano

    (Top) 1 Genres. Toggle Genres subsection ... Collaborative piano is a discipline of music that combines piano performance, accompaniment, and music pedagogy (and ...

  7. Songs Without Words - Wikipedia

    en.wikipedia.org/wiki/Songs_Without_Words

    Many others have made various arrangements of individual songs, including for orchestra, chamber ensemble, or solo instrument with piano accompaniment. One such example is the arrangement of 22 of the songs by Mendelssohn's student, the German violist Friedrich Hermann (1828–1907), for violin and piano. [12]