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  2. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...

  3. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    For each regular tuning, chord patterns may be diagonally shifted down the fretboard, a property that simplifies beginners' learning of chords and that simplifies advanced players' improvisation. On the other hand, in regular tunings 6-string chords (in the keys of C, G, and D) are more difficult to play.

  4. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root.

  5. Nashville tuning (high strung) - Wikipedia

    en.wikipedia.org/wiki/Nashville_tuning_(high_strung)

    The Rolling Stones' "Wild Horses" features a 12-string guitar played by Keith Richards and a guitar with Nashville tuning played by Mick Taylor. "Jumpin' Jack Flash" featured two acoustic guitars, one Nashville strung, overdriven through a cassette recorder. [3] James Williamson used Nashville tuning on "Gimme Danger" [4] on Raw Power by the ...

  6. Guitar tunings - Wikipedia

    en.wikipedia.org/wiki/Guitar_tunings

    Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned. In scientific pitch notation, [4] the guitar's standard tuning consists of the following notes: E 2 –A 2 –D 3 –G 3 –B 3 –E 4.

  7. Second inversion - Wikipedia

    en.wikipedia.org/wiki/Second_inversion

    Cadential second-inversion chords are typically used in the authentic cadence I 6 4-V-I, or one of its variation, like I 6 4-V 7-I. In this form, the chord is sometimes referred to as a cadential 6 4 chord. The chord preceding I 6 4 is most often a chord that would introduce V as a weak to strong progression, for example, making -II-V into II-I 6

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