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Byzantine Egyptian papyrus fragment. A literary fragment is a piece of text that may be part of a larger work, or that employs a 'fragmentary' form characterised by physical features such as short paragraphs or sentences separated by white space, and thematic features such as discontinuity, ambivalence, ambiguity, or lack of a traditional narrative structure.
Sentence 1 is an example of a simple sentence. Sentence 2 is compound because "so" is considered a coordinating conjunction in English, and sentence 3 is complex. Sentence 4 is compound-complex (also known as complex-compound). Example 5 is a sentence fragment. I like trains. I don't know how to bake, so I buy my bread already made.
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
Hyperion, a Fragment is an abandoned epic poem by 19th-century English Romantic poet John Keats. It was published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). [1] It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of ...
"Waldere" or "Waldhere" is the conventional title given to two Old English fragments, of around 32 and 31 lines, from a lost epic poem, discovered in 1860 by E. C. Werlauff, Librarian, in the Danish Royal Library at Copenhagen, where it is still preserved.
A fragmentary novel is a novel made of fragments, vignettes, segments, documents or chapters that can be read in isolation and/or as part of the greater whole of the book. . These novels typically lack a traditional plot or set of characters and often are the product of a cultural cr
Specimens of Middle Cornish texts are given here in Cornish and English. Both texts have been dated within the period 1370–1410 and the Charter Fragment is given in two Cornish orthographies. (Earlier examples of written Cornish exist but these are the first in continuous prose or verse.)
Chomsky demonstrated this possibility in a practical sense by formally treating a fragment of English grammar. Secondly, it put syntax at the center of the theory of language. Syntax was recognized as the focal point of language production, in which a finite set of rules can produce an infinite number of sentences.