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An April March was a Canadian alternative rock band formed in Kitchener, Ontario, in 1989. The band's last incarnation consisted of singer/guitarist Danella Hocevar, guitarist Chris Perry and drummer Michael Klüg. The band "An April March" is not to be confused with April March, or Russian and French bands called by similar names. [1]
April March (born Elinor Lanman Blake; April 20, 1965) is an American singer-songwriter. [2] Considering herself to be a "lifelong Francophile ", she performs in the English and French languages. [ 3 ]
The duo quickly released their debut LP, Summer's Gone, on September 5, 2012. On November 9, 2012, Odesza performed their first show, opening for Teen Daze and Beat Connection in Bellingham, WA. [19] Odesza was booked to open for Pretty Lights on his Analog Future Tour in the fall of 2013. [20] Their first headline tour kicked off on March 12 ...
"Summer's Gone" is a 1984 song by The Kinks.. It may also refer to: Summer's Gone, a 2012 album by Odesza "Summer's Gone", a 1960 single by Paul Anka "Summer's Gone", a song by the Beach Boys from the 2012 album That's Why God Made the Radio
Marc Summers walked out of Quiet on Set after he learned about the documentary’s subject matter in the middle of his interview. “They asked me what I thought of [Nickelodeon], and the first 10 ...
18 March 1985: Recorded: June 1983 – September 1984 at Konk Studios, London: Genre: Rock: Length: ... "Summer's Gone" is a song by the British rock band The Kinks.
The summer's gone, and all the roses falling, It's you, it's you must go and I must bide. But come ye back when summer's in the meadow, Or when the valley's hushed and white with snow, It's I'll be here in sunshine or in shadow,— Oh, Danny boy, Oh Danny boy, I love you so! But when ye come, and all the flowers are dying,
They criticised Summers for "[thickening] the mix with electronic muck, leaving little solo space for himself or Fripp, who co-wrote only half the material on Bewitched; the rest is Summers' alone. Maybe they were too busy toying with the synth-pop trappings that dominate the record to bother playing much guitar."